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Often
the name, product, or purpose of a company or organization is
given a distinctive and memorable appearance by a graphic designer.
An identifying mark, or trademark, based on letter forms is known
as a logo (short for logotype). An identifying mark based
on pictorial (rather than typographic) sources is called a symbol.
On the most basic level, we communicate through symbols. The sound
of the syllable dog, for example, has no direct relation to the
animal it stands for. In German, after all, the syllables Hund
indicate the same animal. Each word is part of a larger symbolic
system, a language. Visual communication is also symbolic. Letters
are symbols that represent sounds; the lines that we use to draw
representational images are symbols for perception.
Symbols convey information or embody ideas. Some are so common
that we find it difficult to believe they did not always exist.
Who, for example, first used arrows to indicate directions? We
follow them instinctively now, but at some point they were new
and had to be explained. Other symbols embody more complex ideas
and associations. Symbols that instantly communicate important
information without words help meet the needs of travelers in
foreign countries. When such symbols are not easily understood,
they cause more problems than they solve.
Graphic designers are often asked to create visual symbols. In
1974, the U.S. Department of Transportation commissioned the American
Institute of Graphic Arts to develop a set of symbols that could
communicate essential information across language barriers to
international travelers. Designers selected by the institute researched
symbols then in use in transportation centers around the world,
evaluating them for clarity and effectiveness. The final set of
symbols were drawn up the design firm of Cook and Shanosky Associates
and introduced in a poster, which explains their meanings. Today,
the symbols are a familiar part of signs in airports and train
stations, where they help direct travelers to bus and taxi stands,
telephones, hotel information, rest rooms, and other key facilities.
Among the most persuasive symbols in our visual environment today
are logos and trademarks, which are symbols of an organization
or product. Simple, clear, distinctive, and memorable corporate
logos have become familiar to millions of people around the world,
instantly calling to mind the company and its products or services.
As with any symbol, a logo means nothing in itself. It is up to
an organization to make its logo familiar and to convince people
through a sound business practices to associate it with such virtues
as service, quality, and dependability. Because symbols serve
as focal points for associations of ideas and emotions, one of
the most effective ways for a company to change its image is to
redo its logo.
A logo is often the first
and key element in a complete corporate identity program, which
extends a unified design concept to advertising, posters, packaging,
stationary, folders, business cards, and other printed matter. |
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Museum and Olympics Studies Centre, Summer
Games, 1996.

Roger
Cook and Don Shanosky, Signage Symbol System, 1974.

Paul Rand,
logos for IBM (1956), Westinghouse (1960), UPS (1961),
and ABC (1962).
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Henry Dreyfuss, Symbols, 1972.
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